Ford Maddox Brown The last of England 1855
I have a few phrases that have travelled with me, mainly I think because they keep proving to be true. So I’ll start with the first;
The best place to start is the beginning.
I have always loved the worlds that we can find that are outside or inside our own. The places we can go while sitting still; a book, painting, film, a conversation.
I first saw this painting for the first time when I was a child, my grandmother used to take me into town on the train. We would go to a show or a gallery, we would have cucumber sandwiches at David Jones.
I loved the grandeur of the permanent wing, the rich oil soaked trimmings and high ceilings. The paintings of far off places the size of my bedroom wall. At this point Paris was far away and I couldn’t have imagined the Louvre. My 12 year old eyes would have stopped working.
The longing in the pale blue eyes of the women in The Last of England held me, her red scarf held up by some mysterious wind. Her child’s hand held tight, cocooned amongst a sea of gray. My own grandmother came from England with a young baby in toe and bound for her Australian husband. These stories would always fill me with wonder and imaginings.
As an adult I used to walk down to the gallery and take my sketch book. I’d snuggle into a seat and draw. I particularly liked the Asia section with it’s dim lighting and musty scent.
I think looking at it now that it foreshadowed where I was to go, as I spent many years living and working in Asia.
Asia is where I felt the freedom of overtaking four cars, with on coming traffic, while holding onto the back of a scooter. The freedom of jumping onto moving ferries and also where I met my husband, a traveling French pilot with a backpack and laptop.
Now I live in the tropical north of Australia, I teach and make stuff and search for beautiful things. Always looking for that traveling we do while standing still.